Burnt Pochote Copita | 1oz

Name: Burnt Pochote Copita | 1oz
Brand: Ana María Hernández
SKU: 126
Price: 36.0 USD
Availability: InStock

MAKER: Ana María Hernández

$36.00

Experience the authentic taste of Oaxaca with this stunning mezcal copita, handcrafted by Ana María Hernández and her team in Atzompa, Mexico.

Each piece is a work of art, featuring a raw, unglazed exterior that showcases the natural colors and textures of clay, with a warm earthy inside glaze. Each piece is hand-polished with crystals which closes the pores of the clay.

The spikes represent the sacred Pochote tree, a native species to Mexico and revered in Mayan culture for its connection to the underworld, heaven, and earth. Handmade using traditional communal skills passed down through generations, these cups are perfect for anyone who likes to sip in style with soul and history.

Add sustainable and artisanal beauty to your bar with these handmade global and natural bar copitas. Elevate your mezcal experience with the perfect addition to any host's collection.

Photography details:
The 2oz version is photographed showing finish, colors, and textures. Refer to the black copita (last photo) for size and proportions.

Details

These pieces of pottery are made of Mexican barro which is clay sourced from local mountain areas of Mexico.
Handmade by humans of the Taller Coatlicue. Differences in glaze applications and surfaces are to be expected and embraced.
Use to sip mezcal, sake, espresso, tea, or to serve sauces or small accompaniments.
We recommend hand washing.
Sold individually.
Weight: 0.15 lb
Length 2.5" (including spikes)
Width 2.5" (including spikes)
Height 1.5"
Colors: Grey/Taupe with inside earth tone glaze

About Taller Coatlicue

Taller Coatlicue is a taller located in the village of Santa María Atzompa, Mexico. It is headed and was founded by Ana María Hernandez, a matriarch figure of the region. Read more of her story here.

About the Open Firing Process

Open firing is one of the most primitive methods of firing ceramics and requires a great deal of skill to produce pottery. The process involves heating clay to a high temperature, in an outdoors custom built firing oven, causing it to harden and become more durable.

The final appearance of a fired piece is dependent on several factors, including the firing temperature, duration, weather conditions, and drying time. These variables can affect the texture, color, and overall look of the piece. Firing ceramics is a delicate process that requires careful attention to detail and expertise.

Since the clay pieces are exposed directly to the strong flames for a period of time, they often carry a smoky scent that diminishes with use. However, a warm, earthy smell of clay remains, adding to the overall character of the piece. Open firing is a time-honored technique that has been used for centuries to create unique and beautiful ceramics.

Purchasing Details

The finishing process is natural and looks different on every piece. Keep in mind that your purchase won't look exactly as the pictures on the website.

Mexico residents: contact us for a listing of local prices.

Shipping & Returns

Shipping:

We offer multiple shipping options which can be calculated in your shopping bag and fully viewed at checkout. Please read our complete shipping policy.

Returns:

A return can be initiated within 7 days of delivery. The cost of the return will be the responsibility of the buyer. To request a return, please email support@woolandclay.co, include your order number and the reason for your return request. Please read our complete return policy.

Our Buyer Protection Guaranteed:

We ensure that you have complete peace of mind when making a purchase on Wool+Clay. If your item arrives not as described, please email support@woolandclay.co, include your order number and a description of your issue. Please read our complete buyer protection guarantee policy.

Hello, I'm Ana María Hernández, the founder of Taller Coatlicue

I was sixteen years old when I started working in my father's workshop. I worked a lot the “green chia" style. We sold a lot to Japan--a lot of turtles, angels, that was we did where my dad worked.

A few years ago, after years of working clay, sales became very variable our town of Santa María Atzompa. Everyone worked the same techniques, so there is a very tough competition. It was hard to make any profit. I was ready to give up and retire. But I was reminded that my grandfather had taught me other techniques to work the clay that worked beautifully. Traditions that has been passed down from generation to generation, and if the traditional green clay wasn't working any more, why not try? And that's what we did.